Monday, Aug. 15, 1960
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THE BRIDGE (215 pp.) — Manfred Gregor — Random House ($3.50).
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On one side of the bridge crouched seven German teen-agers with only two weeks of military training. On the other side was a combat patrol of battle-hardened G.I.s supported by three Sherman tanks, artillery and planes. The result? Two U.S. tanks destroyed, a scatter of U.S. dead in the street and, finally, a crestfallen U.S. withdrawal to allow planes and artillery to soften up the remaining schoolboy defenders.
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This bloody skirmish serves Germany's Manfred Gregor as the core of his first novel. Like his seven heroes, Author Gregor was called up from high school during the spring of 1945 in the desperate mass conscription of 16-year-olds designed to flesh out the shattered Nazi armies. As U.S. armored columns knifed their way into Germany, they frequently encountered such youngsters, callously thrown into the front lines. Most often the dazed and frightened teen-agers surrendered in tears without firing a shot. But occasionally, they put up astonishing resistance. How they behaved usually depended on the quality of their leadership.
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The hero of Gregor's book is Ernst Scholten, a schoolboy who cares little about the war and less about politics. A passionate reader of Karl May's cowboy-and-Indian stories,* Scholten imagines himself as the dauntless Indian chief, Winnetou. Even though German adults — both soldiers and civilians—urge the uneasy boys to desert, they blindly follow Scholten's lead. "You can do as you please," he says. "I am staying. Winnetou will hold the fort." The boys' resolution is strengthened when a passing general cannot resist spouting nonsense: he urges them to defend the bridge and announces that with a few thousand like them, Germany might still win the war.
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Twelve hours later, only Scholten and one other teen-ager are left alive. When a truckload of German troops arrives, the boys think they are replacements to take over their position. Discovering that the unit is really a demolition team come to blow up the bridge, Scholten cries hysterically: "Why did we have to defend it, then? Five are lying over there who've fought for this bridge." Author Gregor's final irony: after driving the demolition squad away from "our" bridge, Scholten is killed by a fellow German.
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The Bridge is briskly told with an interlacing of flashbacks. Since the major characters are 16-year-olds, these flashbacks are mercifully short, if overly sentimental; the boys seem to have grown up surrounded by sweet, long-suffering mothers and avuncular lieutenants, with hardly a Nazi in sight. But these scenes from the boys' past merely serve as counterpoint to the adventure at the bridge and as clues to the variety of boyish responses, which range from terror to heroism. Gregor's bitter little novel labors no point, nor does it have to. The futility it illustrates would have been depressing enough even if it had been grown men who held the bridge. Its special dimension of bitterness grows, without overstatement, from the fact that children suddenly forced into men's roles have only their childhood with which to face death.
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* Though he never visited the U.S., May wrote dozens of volumes on the American West which have been devoured by generations of German schoolboys.
.http://www.time.com/time/magazine/article/0,9171,939797,00.html
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A Ponte - Manfred Gregor
.Manfred Gregor nasceu em 1929, em Tailfingen / Vurtemberga. No último mês de guerra é mobilizado com outros rapazes de 16 anos para combater na "frente interna". Trabalha depois como estudante-operário, até enveredar pelo jornalismo. Em 1958 estreia-se com o romance "A Ponte", condenado a ficar na gaveta, se não fora o convite de uma editora aos jovens escritores alemães para darem o seu depoimento sobre a tragédia que assolou o país. O sucesso foi imediato. Os editores estrangeiros disputam os direitos de tradução e, no ano seguinte, a obra serve de argumento ao célebre filme do mesmo nome, realizado por Bernhard Wicki. Seguem-se romances como "A Sentença", também adaptado ao cinema, e "A Rua"...
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