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sexta-feira, 30 de março de 2012

Peter Cheyney (1896-1951)




Peter Cheyney was, and so far remains Britain's leading writer of hard-boiled fiction. He created three memorable characters: Lemmy Caution, a ruthless machine-gun toting FBI agent; Slim Callaghan, a British private eye; and himself. According to his friend and fellow writer Dennis Wheatley "he was the greatest liar unhung but a magnificent story teller."

Born Reginald Evelyn Peter Southouse Cheyney in London's Whitechapel, he was the youngest of five children, and was originally known as Reg. He tried various names including Evelyn and Everard, before finally settling for Peter. His father was a thoroughbred Cockney who worked at the Billingsgate fish market, a man who preferred drink to work. His wife eventually sent him packing. She was an industrious woman who would earn enough from making corsets to send young Reg to good schools. Her ambition was for him to become a solicitor.

War intervened and Cheyney was commissioned as a Lieutenant. According to Who's Who, he had been 'seriously wounded', but this was not a view shared by the medical board which soon rescinded his pension. He had lost part of an ear lobe.

Life in a solicitor's office didn't appeal to Reg who wanted to follow his oldest brother into show business. He picked up a few small parts, wrote some sketches and songs, and married a dancer. His wife then won a leading part in an Edgar Wallace musical Whirligig. Wallace was the leading popular novelist of that period and Cheyney tried his hand at fiction but without making any impact.

The turning point for Cheyney occurred in 1926, when he volunteered to serve the semi-official Organisation of the Maintenance of Supplies (OMS) which had been set up in anticipation of the General Strike. The strike only lasted nine days, thanks in part to OMS which assembled 100,000 volunteers to handle essential services, including a daily newspaper - The British Gazette - edited by Winston Churchill.

OMS was managed by Sir George Makgill who also ran the Industrial Intelligence Board (IIB), a very secret intelligence service funded by big business. The IIB had strong links with Special Branch, MI5 and Britain's first fascist party - the British Fascists (BF) - which was founded in 1923.

During those nine days with OMS, Cheyney endeared himself to Colonel Ralph Bingham, one of Makgill's men who had been a member of the General Council of the BF. According to Bingham, 'Cheyney was very efficient · but he made a lot of enemies'.

Fortunately for Cheyney, Bingham - who was very well connected - had taken a shine to the younger man, and he made the right introductions. After Cheyney had met a senior police officer, he started ghosting true-crime stories for publication. Soon, Cheyney was running his own agency that handled both literary work and investigations.

In 1931, Cheyney joined Sir Oswald Mosley's New Party which had been funded by William Morris (later Lord Nuffield) the motor mogul. Cheyney headed up the youth movement, a gang of toughs popularly known as the 'biff boys' whose job was to counter the violence which characterised many political meetings. He also wrote a few articles for Action, the New Party's journal. According to Mosley, Cheyney was particularly good at the job of handling those who disrupted their meetings.

The New Party failed to make any electoral impact and it had folded by the end of the year. With financial backing from Mussolini, the Italian dictator, it was resuscitated the following year as the British Union of Fascists (BUF). Mosley then persuaded several key members of the BF to defect to his cause.

Cheyney was not involved with the BUF and he continued with his mixture of private eye work - both fact and fiction - until he hit pay dirt with This Man is Dangerous (1936). Thereafter, he continued to write at least two books a year until his health gave way.

Cheyney was a big man (6'2") who soon went bald. He was a flamboyant character and he sported a gold monocle, a red carnation, an ornate cloak and a double-barrelled name when such things were in fashion. He was good at golf, fencing, judo and boxing, and he ran a snazzy sports car.

He always tried to distance himself from his humble beginnings, as evidenced by his entry in Who's Who. Also, he only listed the last of his three wives, even though his second wife had brought two children with her. He never had any children of his own. After living in great style, he still left £53,000 - which was pretty serious money in those days.

EDITOR'S NOTE: The incredibly prolific Cheyney didn't limit himself to the exploits of Caution or Callaghan, both of whom became quite the sensations in France, and inspired a rash of popular film adaptations, most starring American actor Eddie Constantine. He created several other series characters, incuding Alonzo MacTavish, a sort of Saint-like adventurer, as well as Julia Herron, Abie Hymie Finkelstein, Etienne MacGregor, Shaun O'Mara and Everard Peter Quayle, and private eyes Nicholas Gale, Terence O'Day, Johnny Vallon and Carlyl O'Hara . Some of these charactrers appeared in a loosely connected series of books, all which had the word "dark" in their titles, that featured British and Nazi agents going at each other during and after WWII. Many consider these Cheyney's best work. Mind you, that's relative.

And, as contributor Philip Eagle correctly points out, no discussion of Cheyney can go by without at least mentioning "the oddest of Cheyney-derived projects -- Jean-Luc Godard's famous dystopian art movie Alphaville. It was originally subtitled "a strange adventure of Lemmy Caution" and featured Cheyney's character thrust into a surreal SF thriller with heavy philosphical overtones. Caution was played, as usual, by Eddie Constantine, who had played the role in most of the earlier, mainstream, French Caution films."

"The film credited Cheyney as writer of the original novel. I haven't read any Cheyney myself," Philip admits, "but from what I've heard I sincerely doubt that the film was actually based on a Cheyney book. The credit was probably simply an acknowledgement of the character's origins. I don't know if you like philosophical French art-house films, but I'd recommend you see it, if only to see one of the stranger uses to which the hard-boiled archetype has been put." In fact, in this one, Caution is, theoretically, a private eye, searching for a missing scientist in a futuristic Paris run by robots and overseen by a dictator.

SHORT STORIES
NOTE: Much of Cheyney's short fiction was apparently first published in Britain in pamphlet form.

"A Double Double-Cross" (May 1924, Hutchinson's Mystery Story Magazine)
"Nice Work" (October 5, 1936, London Evening Standard; Lemmy Caution)
"G" Man at the Yard" (June 26, 1937, The Thriller)
"Night Club (1945, Poynings)
"The Man with the Red Beard" (1943, Todd)
"The Murder of Alonzo" (1943, Polybooks; Alonzo MacTavish)
"The Gangster" (June 1953, MacKill's Mystery Magazine)
"Matter of Habit" (August 1954, MacKill's Mystery Magazine)
"Love Can Be Deadly" (March 1955, The Saint Mystery Magazine)

Publication Date Unknown
"Abie Always Pays (Abie Hymie Finkelstein)
"Abie and the Gangsters (Abie Hymie Finkelstein)
"Abie in Hollywood (Abie Hymie Finkelstein)
"Abie the Sleuth (Abie Hymie Finkelstein)
"Account Overdue"
"Account Rendered" (Slim Callaghan)
"The Affair of Mrs. Lotis Leaf (Etienne MacGregor)
"After Fiesta"
"Ain't Love a Scream (Lemmy Caution)
"Alonzo-Sportsman!" (Alonzo MacTavish)
"Angel in the Sky "
"The Arrest (Alonzo MacTavish)
"At the Grape-Vine" (Slim Callaghan)
"La Belle Dame Sans Souci"
The Big Bluff" (Slim Callaghan)
"The Big Shot" (Lemmy Caution)
"Big-Time Stuff" (Lemmy Caution)
"Birthday for Callaghan" (Slim Callaghan)
"The Biter Bit" (Alonzo MacTavish)
"The Black Mantilla" (Alonzo MacTavish)
"Black-Out" (Slim Callaghan)
"The Bump-Off"
"Callaghan Plus Cupid" (Slim Callaghan)
"The Callaghan Touch" (Slim Callaghan)
'Cash, Please!" (Etienne MacGregor)
"Checkmate" (Etienne MacGregor)
"Chicago Pay-Off "
"China Tea" (Etienne MacGregor)
"Chinese Music" (Alonzo MacTavish)
"Christmas for Callaghan" (Slim Callaghan)
"Clash with Doctor Klaat" (Alonzo MacTavish)
"Cocktail for Cupid"
"Cocktail Party"
"Dames Are So Dizzy" (Lemmy Caution)
"Dance Without Music" (Caryl O'Hara; possibly rewritten as a Slim Callaghan story)
The Date After Dark" (Slim Callaghan)
"The De Lanier Technique"
"Death in the Lift"
The Death on Panhandle"
"Delayed Action" (Terence O'Day)
"The Demure Lady" (Etienne MacGregor)
"The Dencourt Stiletto" (Slim Callaghan)
"The Diamond Scarab" (Alonzo MacTavish)
"The Disappearing Diamonds" (Slim Callaghan)
"Documentary Evidence" (Slim Callaghan)
"Double Alibi" (Slim Callaghan)
"Duet for Mobsters" (Lemmy Caution)
"Enter Alonzo MacTavish" (Alonzo MacTavish)
"Escape for Sandra"
"Exit Permit"
"Fast Work"
"Fifth Column" (Slim Callaghan)
"From the Neck Up!" (Lemmy Caution)
"Gangster Stuff"
"Getlin's Perfect Suicide"
"The Gigolo"
"Green in My Eye"
"Greensleeves" (Etienne MacGregor)
"The Guess Comes Off" (Slim Callaghan)
"Gun Moll Blues"
"The Gypsy Warned Me"
"He Walked in Her Sleep" (Alonzo MacTavish)
"He Who Laughs Last" (Alonzo MacTavish)
"The Heat for Six" (Lemmy Caution)
"Hey...Duchess!" (Lemmy Caution)
"Hey...Sherlock" (Lemmy Caution)
"Honour Among Thieves"
"The House with the Glass Roof" (Alonzo MacTavish)
"The House with the Yellow Bricks" (Alonzo MacTavish)
"The Humour of Huang Chen"
"The Humour of Lo-Chung"
"I Should Know Better"
"In the Bag" (Slim Callaghan)
"In the Hall" (Slim Callaghan)
"Information Received"
"It Comes Off Sometimes" (Slim Callaghan)
"It Runs in the Family" (Slim Callaghan)
"Julia Rose Petal" (Etienne MacGregor)
"The Key"
"Lady in Green" (Alonzo MacTavish)
"Lady in Love" (Slim Callaghan)
"Lady in Luck" (Julia Herron)
"The Lady in Tears" (Slim Callaghan)
"A Lady of Quality"
"The Last Straw"
"A Life for a Lamp"
"Love and Larceny" (Terence O'Day)
"Love with a Gun"
"Luck...and a Lady" (Alonzo MacTavish)
"The Lucky Chance"
"The Man with the Eyeglass"
"The Man with the Red Beard"
"The Man with Two Wives" (Slim Callaghan)
"A Matter of Cooperation" (Slim Callaghan)
"A Matter of Luck" (Alonzo MacTavish)
"The Mauser Pistol" (Alonzo MacTavish)
"Mayfair Melody"
"The Missing Bullet" (Slim Callaghan)
"The Missing Rembrandt" (Alonzo MacTavish)
"The Mouthpiece Talks" (Lemmy Caution)
"The Murder of Alonzo" (Alonzo MacTavish)
"Murder with a Twist" (Slim Callaghan)
"The Mystery Blues" (Alonzo MacTavish)
"The Net of Dr. Klaat"
"Night Club"
"Not So Dumb"
"Not-So-Secret Service!" (Julia Herron)
"Of a Delay in the Post"
"Of an Experience of Pierre Duchesne"
"Of Honoria Dove-Mellifleur"
"Of Pastoral Blackmail"
"Of Perfume and Sudden Death"
"Of the Demise of Mr. Evelyn Sout"
"Of the Dream of Erasmus Bellamy"
"Of the King of Tarragona"
"Of the Reclamation of Captain Kidd"
"Of the Vengeance of Hyacinth Jones"
"On the Cards" (Slim Callaghan)
"One Born Every Minute"
"One for the Dutchess"
"One for the Heiress" (Lemmy Caution)
"The Orange Kid"
"The Other Uncle" (Etienne MacGregor)
"The Pay-Off"
"The Peacock Fan" (Alonzo MacTavish)
"The Perfumed Ghost"
"The Pin"
"Poets Can't Take It"
"Portrait of a "G" Man"
"The Return of Klaat" (Alonzo MacTavish)
"The River That Ran Sideways" (Etienne MacGregor)
"A Set-Up for Psychology"
"The Sleeping Car"
"The Sleeping Glass"
"The Sliding Scale" (Etienne MacGregor)
"The Smoking Lamp" (Etienne MacGregor)
"Sob-Stuff" (Lemmy Caution)
"Sold!" (Alonzo MacTavish)
"A Spot of Murder" (Slim Callaghan)
"A Square Deal"
"Sweet Murder at Figg's End"
"The Sweetheart of the Razors" (Etienne MacGregor)
"The Telephone Talks" (Slim Callaghan)
"They Had an Alibi" (Lemmy Caution)
"They Had It Comin'" (Lemmy Caution)
"They Kidnapped Cecelia" (Slim Callaghan)
"This "Other Woman" Stuff" (Julia Herron)
"This Intuition Business" (Carew)
"The Three Grey Men of Mote Hall" (Alonzo MacTavish)
"Three Men on Tampa"
"The Tiger at Twelve"
"To Him Who "Waits"" (Alonzo MacTavish)
"Too Many Cooks" (Alonzo MacTavish)
"A Tough Spot for Cupid" (Carew)
"Truth Is Never Acceptable"
"The Unhappy Lady" (Alonzo MacTavish)
"Velvet Johnnie"
"Vengeance with a Twist" (Slim Callaghan)
"We Girls Must Hang Together"
"The Weeping Lady"
"The Wine Glass" (Lemmy Caution"
"The Wo Hang Coffin" (Alonzo MacTavish"
"A Woman Scorned"
"The Yellow Kaffir (Etienne MacGregor)
"You Can't Hit a Woman"
"You Can't Trust Duchesses (Slim Callaghan)
"You Can't Trust Husbands"
"You'd Be Surprised" (Julia Herron)
"Your Deal Madame"
NOVELS

This Man Is Dangerous (1936; Lemmy Caution)
Dames Don't Care (1937; Lemmy Caution)
Poison Ivy (1937; Lemmy Caution)
Can Ladies Kill? (1938; Lemmy Caution)
The Urgent Hangman (1938; Slim Callaghan)
Dangerous Curves (1939; Slim Callaghan)
Don't Get Me Wrong (1939; Lemmy Caution)
Another Little Drink (1940)
You Can't Keep the Change (1940; Slim Callaghan)
You'd Be Surprised (1940)
It Couldn't Matter Less (1941; Slim Callaghan)
A Trap for Bellamy (1941)
Your Deal, My Lovely (1941; Lemmy Caution)
Dark Duet (1942)
Never a Dull Moment (1942; Lemmy Caution; Slim Callaghan)
Sorry You've Been Troubled (1942; Slim Callaghan)
Alonzo MacTavish Again (1943; Alonzo MacTavish)
Farewell to the Admiral (1943 )
Premeditated Murder (1943)
The Stars Are Dark (1943; Everard Peter Quayle)
The Unscrupulous Mr. Callaghan (1943; Slim Callaghan)
You Can Always Duck (1943; Lemmy Caution)
Account Rendered (1944)
The Counterspy Murders (1944)
The Dark Street (1944; Everard Peter Quayle)
The London Spy Murders (1944)
They Never Say When (1944; Slim Callaghan)
Escape for Sandra (1945; Everard Peter Quayle)
I'll Say She Does! (1945 ; Lemmy Caution)
Sinister Errand (1945; Michael Kells)
Dark Hero (1946)
The Dark Street Murders (1946)
Time for Caution (1946; Lemmy Caution)
Uneasy Terms (1946; Slim Callaghan)
The Case of the Dark Hero (1947)
Dark Interlude (1947; Shaun O'Mara; Everard Peter Quayle)
Dark Wanton (1948; Everard Peter Quayle)
Try Anything Twice (1948)
The Man Nobody Saw (1949)
One of Those Things (1949)
You Can Call It a Day (1949; Johnny Vallon)
Dark Bahama (1950; Johnny Vallon)
Lady Beware (1950 )
Lady, Behave! (1950; Johnny Vallon)
Set-Up for Murder (1950)
Ladies Won't Wait (1951; Michael Kells)
Mistress Murder (1951)
Dressed to Kill (1952)
I'll Bring Her Back (1952)
Cocktails and the Killer (1957)
Sinister Murders (1957)
Case of the Dark Wanton (1958)
The Terrible Night (1959)
Undressed to Kill (1959)
Callaghan (1973)
COLLECTIONS

You Can't Hit a Woman and Other Stories (1937)
Knave Takes Queen (1939; enlarged edition 1950)
Mr. Caution-Mr. Callaghan (1941; Slim Callaghan, Lemmy Caution)
Calling Mr. Callaghan (1943; Slim Callaghan)
The Adventures of Alonzo MacTavish (1943; Alonzo MacTavish)
Love with a Gun and Other Stories (1943)
Making Crime Pay (1944)
A Spot of Murder and Other Stories (1946; Slim Callaghan)
Vengeance with a Twist and Other Stories (1946; Slim Callaghan)
Dance Without Music (1945; Slim Callaghan)
EA Tough Spot for Cupid and Other Stories (1945)
You Can't Trust Duchesses and Other Stories (1945)
Date After Dark and Other Stories (1946; Slim Callaghan)
G Man at the Yard (1946; Lemmy Caution)
He Walked in Her Sleep and Other Stories (1946; Alonzo MacTavish)
The Man with Two Wives and Other Stories (1946; Slim Callaghan)
Lady in Green and Other Stories (1947; Alonzo MacTavish)
A Matter of Luck and Other Stories (1947; Alonzo MacTavish)
The Curiosity of Etienne MacGregor (1947; Etienne MacGregor; AKA The Sweetheart of the Razors)
Cocktail for Cupid and Other Stories (1948)
Cocktail Party and Other Stories (1948)
Fast Work and Other Stories (1948)
Information Received and Other Stories (1948)
The Lady in Tears and Other Stories (1948)
No Ordinary Cheyney (1948)
The Unhappy Lady and Other Stories (1948; Alonzo MacTavish)
Velvet Johnnie and Other Stories (1952)
G Man at the Yard (1953; Lemmy Caution, Slim Callaghan, Alonzo MacTavish)
The Adventures of Julia and Two Other Spy Stories (1954; Julia Herron; AKA Killing Game, You'd Be Surprised)
The Best Stories of Peter Cheyney (1954)
He Walked in Her Sleep (1954; Alonzo MacTavish; AKA MacTavish)
The Mystery Blues and Other Stories (1954)
The Mystery Blues and Other Stories Peter Cheyney (1954; AKA Fast Work)


(...)

RELATED LINKS

Peter Cheyney
An extensive bibliography.
Contributed by Bryan Clough, author of Approaching Zero, Cheating at Cards and the upcoming Malignant Moles, the true story of the British fascist parties in the 20's and 30's, which will include several references to Cheyney. Also, thanks to Philip Eagle for some of the info on this page.

http://www.thrillingdetective.com/trivia/cheyney.html

segunda-feira, 19 de março de 2012

Ross Macdonald


Ross Macdonald(pseudonym of Ken Millar)
(1915-83)

"No once since Macdonald has written with such poetic inevitability about people, their secret cares, their emotional scars, their sadness, cowardice, and courage. He reminded the rest of us of what was possible in our genre."
-- John Lutz, in 
January Magazine
"We're all guilty"
-- Lew Archer
, in 
The Blue Hammer

.

Kenneth Millar, under the pen name of Ross Macdonald, arguably forms the third point of what is now considered the Holy Trinity of hardboiled detective fiction, the other points being, of course, Dashiell Hammett and Raymond Chandler, and is, to many, the most critically and academically respected of the three.

.
Although born in Los Gatos, California, December 13th, 1915, he was raised and educated in Canada by his mother, a never particularly healthy woman, and a succession of relatives, after she and his father, a sometime sailor/poet/writer, separated. "I counted the number of rooms I had lived in during my first sixteen years, and got a total of fifty," he has written. This rootlessness, and the hole left by an absent parent, was to become a recurring motif in Millar's fiction.
.
He attended boarding schools, and in 1938, he took a break from his studies at the University of Western Ontario to travel for a year in Europe, including a visit to Nazi Germany. He returned to Canada, married Margaret Sturm, and acquired advanced degrees and a Phi Beta Kappa key at the University of Michigan. He began to teach and, inspired by his wife's success as a writer (yes, she was THAT Margaret Millar), he began to write. In 1939, their daughter, Linda, was born.
.
During World War II, perhaps unconciouslesssly following in his seaman father's footsteps, Millar served as communications officer aboard an escort carrier in the Pacific with the American navy. Stationed in California, Margaret went to visit in 1946, and the couple decided to stay on. They lived in Santa Barbara for the rest of their lives. At this point, Millar had gone full circle, returning to his birthplace, with a family once more.
.
Life was good, or at least appeared to be. Both Millar (under the pen name of first John Macdonald, then John Ross Macdonld and finally Ross Macdonald) and Margaret were regularly being published. Millar has begun a series, featuring private detective Lew Archer, beginning with 1949's The Moving Target.
.
And yet his past would not be denied--it lurked, waiting to pounce. And his own family life was less than ideal--there were difficulties in the marriage, and Linda was a troubled child. Therapy helped, and 1959's novel, The Galton Case became a watershed, both personally and artistically, in Millar's life. Archer's (and Millar's) obsession with the twisted, secret history of families, and how the sins of the past shape the present, were finally nailed down, for all who cared to see. Although the early Archer's were well-written and tightly plotted, The Galton Case really got down to business. From that point on, it has been noted, Macdonald wrote the same story over and over, endless variations on the same themes of lost and abandoned children, absent parents, family secrets denied. In the hands of a lesser writer, this would amount to hack work, perhaps. But not in Macdonald's hands.
In 1969, a favorable front page review in The New York Times Book Review, by William Goldman,of Millar's latest Archer novel, The Goodbye Look, followed by an interview by John Leonard, finally brought him the critical attention he had always felt was his due, and certainly the critical respect his reputation now has was jump-started by the piece. But his popularity (he supposedly sold a whole hell of a lot of books-one article I read recently mentioned "Stephen King-like sales") must be based on more than a few pieces in the NYTBR.
.
In fact, as contributor Jim Doherty points out:
"...although the articles referred to did seem to confirm Macdonald's status , they were not the beginning of his being thought of as the "Holy Ghost" to Hammett's "Father" and Chandler's "Son." If there is any one critic who put Macdonald in that august company, it was Anthony Boucher, who once said that, without in the least diminishing his admiration for Hammett and Chandler, he believed that Macdonald was the best writer of the three. I believe he said that in the early '60s. Certainly, critics started using the phrase "in the tradition of Hammett, Chandler, and Macdonald" as early as the '60s. The fact that Knopf was the publisher of all three also lent some gravitas to Macdonald, as did the fact that Hammett's first PI novel appeared in '29, Chandler's in '39, and Macdonald's in '49 made it seem like a natural development in the PI novel was taking place.
. 
While Macdonald may not have been perceived as the equal of Hammett and Chandler as early as the '50s, he was certainly the most critically acclaimed PI writer of that decade. Michael Avallone (RIP) was the one who coined the "Father, Son, & Holy Ghost" quip to describe Hammett, Chandler, and Macdonald, again, I beleive, in the early '60s. The critical and commercial success of the film Harper, based on Macdonald's first novel The Moving Target, in '66 added to his luster. All this predates the articles in Newsweek and the NY Time Book Review. These really were the culmination of a long process of critical acclaim that greeted Macdonald almost from the first."
Were all those fans taken in? For a lot of people, the Lew Archer books are a literary touchstone in their lives, and certainly in mine. I read one, on the recommendation of a friend, and I had soon devoured everyone I could find. And at the time I knew nothing of Macdonald's critical rep, other than a few scattered cover blurbs.
.
Certainly, some of the puffery about Macdonald, particularly by Macdonald himself, is hard to swallow. And not all the books are that strong. Then again, he wrote lots of books, more than Hammett and Chandler combined. And he did take the crime novel in directions it had never really gone before, and sold a lot of books doing it.
.
Archer was perhaps the first of the compassionate eyes to truly make a mark, and ushered in a whole new psychological depth to the hardboiled detective story. Millar's other interests included conservation and politics. He charted the fascinating and ever-evolving society of his native state, although his main thrust would be the twisted and hidden secrets of the human heart, the hidden truths that dog victim and murderer alike.And in the long run, he's remained a strong influence on the hardboiled genre, like it or not.
.
Certainly you can see traces of Archer's compassion (or bleeding heart weenie-ness, depending on your point of view) in the work of Robert Parker, Robert Crais, Michael Collins, Bill Pronzini, Sue Grafton, Joseph Hansen, Jonathan Valin and Stephen Greenleaf, among countless others. Someone must have actually read the books, and not just a few newspaper pieces.
.
He served as president of The Mystery Writers of America inj 1965, received the Silver Dagger in 1964 and the Gold Dagger in 1965 from The British Crime Writers Association, and in 1981, received The Eye, the Lifetime Achievement Award from The Private Eye Writers of America.
Ken Millar died on July 11, 1983, leaving behind a body of work that has forever left its mark on detective fiction. The Archer novels ask us to not so much solve the mysteries of our own lives, but, even more importantly, perhaps, to try to understand them.
.
UNDER OATH
  • "If Dashiell Hammett can be said to have injected the hard-boiled detective novel with its primitive force, and Raymond Chandler gave shape to its prevailing tone, it was Ken Millar, writing as Ross Macdonald, who gave the genre its current respectability, generating a worldwide readership that has paved the way for those of us following in his footsteps."
    -- Sue Grafton, from the introduction to Ross Macdonald: A Biography

  • "(The) American private eye, immortalized by Hammett, refined by Chandler, brought to its zenith by Macdonald"
    -- New York Times Book Review

  • "...the greatest mystery novelist of his age, I would argue, even greater than Chandler."
    --John Connolly, creator of Charlie Parker; cited in The Line-Up.
NOVELS
............
SHORT STORIES
  • as Kenneth Millar
  • "The South Sea Soup Co." (The Grumbler, 1931)
  • "Fatal Facility" (July 29, 1939, Saturday Night; poem)
  • "Find the Woman" (June 1946, EQMM; Lew Archer)
  • "The Sky Hook" (January 1948, American Mercury)
  • "The Bearded Lady" (American Magazine, October 1948; Lew Archer)
  • "Shock Treatment" (January 1953, Manhunt)
  • "The Imaginary Blonde" (February 1953, Manhunt; aka "Gone Girl"; Lew Archer)
  • "Murder in the Library" (1965, Mystery Writers' Annual)
    .
  • as John Ross Macdonald
  • "The Guilty Ones" (May 1953, Manhunt; aka "The Sinister Habit"; Lew Archer)
  • "The Beat-Up Sister" (October 1953, Manhunt; aka "The Suicide"; Lew Archer)
  • "Guilt-Edged Blonde" ( January 1954, Manhunt; Lew Archer)
  • "Wild Goose Chase" (Ellery Queen's Mystery Magazine, July 1954; Lew Archer)

  • as Ross Macdonald
  • "Midnight Blue" (October 1960, Ed McBain's Mystery Magazine; Lew Archer)
  • "The Sleeping Dog" (April 1965, Argosy; Lew Archer)
COLLECTIONS
  • The Name is Archer (1955; as John Ross Macdonald; Lew Archer)
    Includes "Find the Woman," "Gone Girl," "The Bearded Lady," "The Suicide," "Guilt-Edged Blonde," "The Sinister Habit" and "Wild Goose Chase"

  • Lew Archer, Private Investigator (1977; Lew Archer)
    All the stories from The Name is Archer, plus "Midnight Blue" and "The Sleeping Dog"

  • Strangers in Town: Three Newly Discovered Stories (2001; Lew Archer). Buy this book
    Previously unpublished stories, edited by Macdonald biographer Tom Nolan, one featuring Joe Rogers (who was also in Macdonald's 1st EQMM short, which was later re-written to star Lew Archer) and 2 with Lew Archer.
SHORT NON-FICTION AND ESSAYS
  • "Homage to Dashiell Hammett" 1964, Mystery Writers' Annual)
  • "A Death Road for the Condor" (April 6, 1964, Sports Illustrated)
  • "The Writer as Detective Hero" (January 1965, Show)
  • "Cain X 3" (March 2, 1969, New York Times Book Review)
  • "Life with the Blob" (April 21, 1969, Sports Illustrated)
  • "Santa Barbarans Cite an 11th Commandment: 'Thou Shalt Not Abuse the Earth'" (October 12, 1969, New York Times Magazine; with Robert Easton)
  • "Down These Streets a Mean Man Must Go" (Spring/Summer 1977, Antaeus #25-26)
  • "The Private Detective" (October 23, 1977, New York Times Book Review, also used as introduction to Lew Archer, Private Investigator)
  • "Writing The Galton Case" (1973, On Crime Writing; also includes "The Writer as Detective Hero")
  • "Lew Archer" (1978, The Great Detectives)
  • "A Preface to 'The Galton Case'" (1969, Afterwords: Novelists on Their Novels)
  • "Foreword" (From Archer at Large, an omnibus featuring three of the Archer novels)